Celebrating the Arts

It is a gift to be able to create. As human beings, we have been given the ability to imitate our Creator by exercising and developing our creativity. God creates from the beginning, bringing out of what is formless and void, giving it design, structure, function, and purpose. We create out of what God has made and entrusted to us, ordering our little worlds after the order, or logos, by which He made the heavens and the earth.

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Warriors, Witches, and Wives

Our look at 1 and 2 Samuel continues this week with the end of one and the start of the other. That’s right, you get two weeks of recaps for the price of one! You may notice that recaps of chapters get shorter and shorter as it goes on. I assure you, dear reader, that this is merely a technique of good storytelling, allowing our narrative to build momentum and urgency, driving us to the end (and is not in any way an indication that I wrote this in a couple of hours).

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Grief and the Christian Life

When I was eighteen, my home life and family of origin underwent a sudden change from which it never really recovered. I still remember the lurch of what I thought was permanent and untouchable suddenly shifting under my feet. Like Lewis, I felt afraid. I felt cut off, even when surrounded by people. I felt deaf to the words they were trying to say to make me feel better, and even when their words got through, part of me still wanted their kind words to just go away. Yet I was terrified of being alone. Starting to sound familiar?

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Introducing Long Tall Saul

Previously in 1 Samuel, chapters 1-9, we were introduced to Samuel, last of the Judges. The people began carping about having a king like all the grown up nations surrounding them, kind of like when I was a wee lad and everyone showed up after Christmas break with a brand new, diecast metal General Lee from ‘The Dukes of Hazard,’ so I started whining to my parents for one. Anyway, this week we continue our exploration of 1 Samuel with chapters 10-15, where we are introduced to Samuel’s pick for the crown, Saul.

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1 Samuel 1-9 (tldr)

Ah, summer… a time of barbeques, sandals, and mosquito bites. For those of us living into the church Kalendar (the ‘K’ makes it extra churchy), it is also the time when we renew our relationship with 1st and 2nd Samuel during the Daily Office of Morning Prayer. Here’s a brief recap of what happened this week.

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TheologyFr. John Crews
The Rash Passion of St. Peter

Last weekend, we celebrated the feast day of St. Peter, the disciple to whom Jesus said, in Matthew 16:18-9, “Blessed are you, Simon Bar-Jonah … you are Peter, and on this rock I will build My church, and the gates of Hades shall not prevail against it. And I will give you the keys of the kingdom of heaven.” Before these prophetic words came true, though, St. Peter had to face Gethsemane.

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The Artist as a Channel of God's Charity

Today, I wish to consider the self-death necessary to the vocation of the artist. This is an essential topic for creative people to consider. I suspect an unhealthy self-preoccupation haunts current dialogue around the question of what it means, and why it matters, to be an artist. Many contemporary creatives seem frequently, if not constantly, concerned with using their art to create or define themselves, and often get lauded for this work.

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Joshua's Eulogy for Moses

In our first morning prayer reading with Deuteronomy 34, we mark the end of the life of Moses. As we do every year in the Daily Office, this is a story that began in Lent 12 weeks ago, with Baby Moses, a basket and the Bulrushes in Exodus 2. Except for two breaks, we have followed the story of Moses and the Exodus through the Easter and Trinity seasons. To mark this ending, this morning I offer a eulogy for the great prophet Moses—one as I imagine Joshua might have given upon the death of his mentor and teacher.

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Touch and See (Mystagogy, Part 5)

One of the great questions in the Church’s understanding of Christ concerns the properties of His resurrected Body. From the time Jesus exits the tomb, there is something evidently different about His embodied life from how it existed prior to His Resurrection. The Evangelists take special care to demonstrate that Jesus continues to have a body, that His body is continuous in some ways with the body the disciples had known before the Passion; yet His body now possesses new properties that begin to reveal and oblige a new relationship that Christ will have with His disciples as He ascends to the Father and the Spirit comes upon them. For the final entry in our series on mystagogy, then, we turn to the sense of ‘touch’ and its place in our worship of the risen Lord.

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Like Eagles

Once, as a day fell into evening on the edge of the Salish Sea, I sat under a cold wind and watched sunlight burn pink over the horizon. A pale haze made the Olympic Range look ghostly. Five minutes into my solitary reflection, I was startled by movement—an enormous bald eagle, who had been resting on the rough asphalt of an old basketball court, stirred. I watched as it stepped a few paces forward and raised its wings, then flew over the field past a friend of mine, who was wending her way back to our camp cabin. The eagle alighted above her on an old barracks roof and proceeded to survey the scene.

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Alea Peister
The Ascension as an Icon of the Church

One of my favorite aspects of icons is how they meet and include the viewer. When I look at an icon, I’m always reminded that these saints and stories are real, and that they happened, and of my part and place in the story of the Church. One of the ways icons meet the viewer is through symbols and structure. Let’s unpack an example of how icons meet us by using the image of the Ascension.

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Taste and See (Mystagogy, Part 4)

I remember the first time I received Holy Communion in an Anglican Church. It was after a long season of participation in non-denominational churches, for which communion was infrequent, instrumental to the point of a sermon, and individualized as a private devotional response to the pious atmosphere of the day. This was different from my childhood experience of Sunday mornings in a traditional and conservative Methodist church, at which communion was a regular movement of the liturgy. As I went searching in early adulthood for those Wesleyan roots, I entered a beautiful a-frame church near my college and knew that I had come home.

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